Making the Prop Gun

AF

Ident 2 Rough Cut

This is an adaptation from my Ident practice 7.  When playing with the look of the Ident, I tried to think of a good production company name.  I came up with 'Full Circle Productions', as with every revolution of the kaleidoscope it created a 'full circle', hence the invention of the name.  From our Ident research I knew the importance of choosing the right font.  The use of block capitals increases the attention to the name of the production company; I also spaced out the characters to the limit of the widest circle created and chose an imperfect font that is not fully white to reflect the imperfect changing nature of the kaleidoscope. I tried to add a slow effect to space out the pulses so that only one or two occur in the frame of the Ident, however this consequently made the frames jumpy.  I will have to investigate this further if I want to slow the intervals.

The Ident needs refining however I would like to use this for our final cut as i believe it has a professional feel to it.

EJ

Water Ident Practice

When approaching the possible visual design of our Ident, I was interested in using water due to its fluidity and multiple options available. I filmed all of the practices on my white kitchen surface, I believed that  this would give the Ident a professional feel.  However, due to this, normal water was hard to see against the surface, I therefore decided to use food colouring to 'lift' it off the surface.

Practice 1

For the first practice, I poured the purple water on the surface, and filmed at the height of the counter. I wanted to achieve the look of the water approaching the camera, this was best when the stream of water couldn't be seen. I then rewinded the video and found this had a more interesting effect. Although I was pleased with the effect, I felt it failed to look fully professional.  

Practice 2

In the second practice, I left the water to expand across the counter and after adding an effect over the top, was able to create a mirror effect.  I really like the mirror look however if we were to use this for our ident I would have to do further research or consider greater ideas on what could be reflected in the water.

Practice 3

In an attempt to try to contain the spreading water I used a plate, and poured onto it.  I felt that the overall effect needed something more to improve the Ident.

Practice 4

Whilst playing with Final Cut Pro, I found a kaleidoscope effect. I added this on top of the video from practice 3.   I really liked the patterns that were made, however it was rather inanimate. 

Practice 5

I used the kaleidoscope effect again but over a video of me swirling ink on a plate. In this video the white flashes are my hands moving over the plate.  Although this had an interesting effect, i felt that the unavoidable flashes need to be at more regular intervals. However when trying to apply this to the video by repeating my hand movements at regular intervals, it also repeated the intricate designs which made the effect less impressive.

Practice 6

Surprisingly I used water and milk to create this effect. I used milk as I wanted a liquid that had a different consistency to water and would allow it separate. The effect was good, but as with the other practices, wasn't as visually impressive as professional company Ident's.

Practice 7

This was my favourite practice.  I created it by swirling a plate and then adding the kaleidoscope effect. I would like to adapt this further, and see where I could take this

EJ

Title Name - Ideas

We have produced this graphic using Wordle showcasing all the potential titles for our film. Many of them revolve around similar ideas, such as incorporating Dark or Three in to the title or centring the title around the key plot point of the film, the decision what to do with the girl. Ideally we also wanted a title which was only one word, disregarding The. This is because we thought that it would instantly tell the audience that this is a thriller film

Currently our favourite titles are:

• Stalemate - This informs the audience that the film centres around a conflict that can't be solved. We also like how it's one word as it stands out far more
• Relentless - This title sounds exactly like a thriller film, which is essential however it doesn't quite fit with the narrative of our film which may be confusing for audiences
• The Prisoner - This title immediately tells the audience about the one of the central conflicts in the film; the girl. The title is also short and to the point which is important in a thriller title.
• Deception - This title sounds exactly like a thriller film, which is essential however it doesn't  fit with the narrative of our film at all which may be confusing for audiences

AF

Sound Plan

For our sound, we particularly liked the Disappearance of Alice Creed trailer, as well as Welcome to the Punch trailer, as they both effectively used layers of foley sound over the soundtrack. For our soundtrack, we want a low key rhythmic beat which slowly builds throughout the trailer. This should be layered with some form of synth sound that repeats a melody when the most suspenseful scenes are on screen. This will all be layered by foley sounds, some of which we will record ourselves, such as the water drop sound, and others we can find online for free. Our music producer will be Joe Reeves, who creates his own music and posts it on soundcloud. His link is below, and he creates various styles of music, including more alternative rock, but also more suspenseful piano pieces, such as his most recent work titled Spilt. Over all, we will ask him to create a suspenseful piece, with a heavy background beat to fit out trailer. We will send him early edits of the film so that he gets a feel for the timings, and thus he can fit the music to the trailer, with beat drops, pauses and moments of silence worked into the soundtrack at times of dialogue within the trailer.

https://soundcloud.com/joe_reeves/tracks

EL

Title Background Graphics Influences

One of our ideas for one of our ident, the ink going into water looked so good that we have decided to use it for the background of our titles. If the ink is a deep red then it looks like blood. The plan is to shoot this on a clean white background with no reflections.

Several films has influenced us in this idea, in particular the horror genre where several trailers contain a final shot of blood dripping down.

'It Follows' a modern horror film final shot of the trailer is exactly this. In this a shot blood is flowing into water, with the title then appearing in the middle of the blood.

As you can see this effect is very similar to the look we are going for and have already achieved. Our ink probably wouldn't be as thick or cover up as much of the screen however. Our's though will certainly arrive from the top and fall into frame, similar to this example.

Another horror film which utiltises blood in it's title is Oculus. In this the blood is shown to be forming in several shots before the camera then is pulled out to show it dripping of the side of a wall with the text in the middle of it.

The white title stands out over the blood which is dripping down, our plan is to utilise water so that the blood is less thick however this shows how effective using this effect can be as the deep red catches your attention, along with the dripping blood which is very striking.

As much of Skyfalls opening credits are under water, there are several shots of blood in water.

The blood particularly in the second image is very influential to us, particularly as it looks similar to our attempt, the close up of the blood/ink twisting in the the water. This just shows how powerful the effect can be given that it was used throughout the opening credits to one of the biggest films ever made. Skyfall is also a thriller like our film, showing that this effect also fits into our genre.

Using Art of the Title I have also found another credit which uses a deep red and flowing water/blood. Hannibal's opening credits are very powerful and have been critically acclaimed. Our titles wouldn't be making any shape however and again this is for a TV show however several aspects can be used.

The white background works extremely well when combined with the red, this is useful as it's similar to our plan. The contrast in the colours makes the red pop out of the screen and therefore drawing your attention towards it.

AF

Ink in Water Ident/Title Practice

Above you can see our practise for filming ink going into water. Originally the plan was for this to used as an ident, however because of how effective we feel it is, we think it perhaps could be better served as the background for the film title. Using a deep red could perhaps give the impression of blood which would fit in with our film plot. After playing around with the speed of the footage we also found that having it is slow motion is perhaps the superior option as then you can clearly see the ink slowly twist and contort.

Several problems arose during this practise that would need to be fixed for the actual product, most importantly the reflections. These are extremely annoying and were an oversight on our part when filming this. Another area which needs to be changed is the outline of the bottle, if this effect is going to be successful for a film title then it needs to be a clean white with nothing except for the ink coming down.

AF
EL